Echoes of All Our Conversations, Volume 4

Front Cover

Back Cover
Publication Date: June 13, 2012
Retire Date: May 31, 2013
Pages: 369
Format: Softcover
Fifteen years of "behind the scenes" Babylon 5 history as told by the actors and crew who were there.

THE VOLUME 4 COLLECTION INCLUDES
✔ 369-page book of the complete, uncensored transcripts of 52 interviews with the Babylon 5 cast and key crew, conducted while Babylon 5 was in production on "Sleeping in Light," Thirdspace, In the Beginning...and beyond. Also included are the "lost" Michael O'Hare interviews dating back to pilot. See table of contents below.
✔ 39 never-before-seen, behind-the-scenes photographs accompanying the interviews, plus a storyboard, concept sketch and production schedule.
✔ Hand-autographed by Mira Furlan.
✔ A personal message from Mira Furlan.
✔ Collectible postcard and bookmark with a Delenn quote selected by Mira Furlan.
✔ Audio CD of an 1995 interview with Stephen Furst and Peter Jurasik.
✔ Introduction by Joe Nazzaro (the first one he's written for the series) detailing how he found the "lost" Michael O'Hare interviews featured in this volume.

Each book personally autographed
by Mira Furlan

A special note to the fans
written by Mira Furlan

Postcard with Delenn quote
selected by Mira Furlan

Bookmark with Delenn quote
selected by Mira Furlan

BONUS AUDIO CD
Never-before-heard interview from 1995
with Stephen Furst and Peter Jurasik.
This interview is NOT in the book.
The interviews with the cast and crew in this volume occurred during the period of time that included the filming of "Sleeping in Light," Thirdspace, In the Beginning and beyond. The only exceptions are the "lost" Michael O'Hare interviews. See the table of contents below.
- Proof that Echoes of All Our Conversations is uncensored: the COMPLETE interview with Claudia Christian two weeks after she left Babylon 5. (She wasn't happy.)
- Revealed: why Michael O'Hare played Sinclair "so contained."
- How Mira Furlan almost died while shooting "Atonement."
- Who Patricia Tallman was referring to when she said, "I hope I never have to work with him again. I think he's a prick, and you can quote me on that."
- The articulation exercise Jason Carter used to warm up his speaking voice...from The Picador Book of Erotic Verse.
- First-hand reactions to the gag script (featuring Londo and G'Kar's sexual liaison) from Peter Jurasik, Richard Biggs, Bruce Boxleitner and Patricia Tallman. Who called whom and said what, the voice messages the cast left each other, the star who was the most upset by the premise (not Peter or Andreas) and why Pat was the most disappointed of all that it was a joke.
- Teller speaks. A detailed interview with Penn's silent sidekick, where he talks about why he and Penn accepted the offer to appear on Babylon 5, why he doesn't like Harpo Marx (who "gives [him] the creeps") and the exchange between Teller and Neil Gaiman when the writer crashed the interview.
- Why a scene between G'Kar and Londo in "No Surrender, No Retreat" annoyed Bill Mumy...and he wasn't even in it.
- Why director Jesús Treviño approached directing Kosh the same as he would have a child or a dog.
- Which star of the show said that the key to their religious beliefs was based on the Romper Room song "do be a good bee; don't be a bad bee."
- How props intended for medlab might end up as a bomb detonator.
- The scene one actor described as "walking into a sauna with a fur coat on."
- The specific reason Penn wanted to be on Babylon 5, the confession that he knows nothing about SF and why he's been happy since June 12, 1973.
- Who said, "I'm dead today but I come back next Wednesday to finish up."
- What Peter Jurasik meant when he said, "I call it the crybaby scene just to drive them both crazy."
- JMS's belief that if an actor cries on camera, they steal the tears from the audience.
- Why Michael O'Hare had mixed feelings about traveling first class.
- How the TV movies delayed a feeling of closure for some of the actors.
- Which crew member Michael O'Hare believed was the "true commander of Babylon 5." (Hint: it wasn't JMS.)
- How the illusion of the extending pike was created.
- Why director David J. Eagle cut away from Daffy Duck in his edit of "Conflicts of Interest," and why he believes the producers stayed on the cartoon in the final cut.
- The scene between Marcus and Franklin in "Atonement" that director Tony Dow declared was "one of his favorite scenes."
- Which Babylon 5 star said, "I went to drama school knowing I could sing and dance and I left drama school with the full knowledge that I couldn't."
- Why director Jesús Treviño cast Shari Belafonte as Dr. Elizabeth Trent in Thirdspace, and who else was up for the role.
- Tracy Scoggins interviewed the day BEFORE she began playing Elizabeth Lochley.
- The thing that frightened Claudia Christian most about the ending of Babylon 5.
- Why "The Coming of Shadows" was Christopher Franke's favorite episode to score of the first 88.
- Why actor Wayne Alexander was given all six scripts featuring Lorien before the first one was filmed, and how it affected his performance.
- The thing Babylon 5 did that no other science fiction series in the history of television managed to achieve, according to producer John Copeland.
- Why old Londo in In the Beginning was filmed in one block of three days.
- Why Michael O'Hare compared director Richard Compton to French filmmaker Jean Renoir.
- Why Claudia Christian didn't have to memorize any lines for the "Voice of the Resistance" scenes.
- The prop maker's favorite prop: the Centauri Pizza box. Found out why.
- The actor who thought the pace of season four was "a little quick for me."
- How the look of the Narn homeworld was extrapolated from G'Kar's Babylon 5 quarters.
- Why JMS directed Bruce Boxleitner not to touch Mira Furlan in their final "Sleeping in Light" scene until the very end...and how that made the emotions stronger.
- The high-profile film Patricia Tallman considers "some of the hardest work she'd ever done"...and for which she didn't get a screen credit.
- What legendary actor would send Tracy Scoggins flowers on her opening nights in the theater, with a card signed "Daddy."
- Richard Biggs's first reaction to "Sleeping in Light," and how he approached playing Dr. Franklin twenty years in the future.
- Name the speaker: "If I never work again, I have a beautiful son and a beautiful wife and I got a lot of money, so I'll be alright."
- The thing Andreas Katsulas said to production designer John Iacovelli that turned out to be a first in the latter's career.
- The reason Londo was constantly unpacking and receiving deliveries in the first season.
- Makeup effects creator John Vulich's approach to how people in the future might age differently than they do today.
- Bill Mumy's suggestion of what to watch closely in "Atonement," and why.
- Why the prop maker put so much work into the Dreaming chalice from "Atonement"...when it was seen only once, and fleetingly.
- The context in which Michael O'Hare said that looking into Mira Furlan's eyes "is one of the easiest things in the world to do."
- Why Lennier was rubbing his hands when he walked into the Dreaming.
- The suggestive wording on a memorial plaque in Admiral Ivanova's office.
- The new title for Babylon 5 that production designer John Iacovelli suggested better reflected what was going on in the storyline.
- Why working on In the Beginning made production designer John Iacovelli want to "reshoot the pilot entirely."
- What the actors did with their "Sleeping in Light" scripts.
- The director who watched the show every week, just like a fan, and who would be "blown away by episodes."
- The two people Michael O'Hare most wanted to live near so he could "bump into them a lot."
- What Patricia Tallman could have done that would have made her "four times the amount of money in one year" that she did on Babylon 5.
- The approach director Jesús Treviño took to Thirdspace to make sure it didn't play like "two Babylon 5 hours."
- Which parts of Sinclair's backstory were revealed to Michael O'Hare...and his reaction to them.
- The Babylon 5 star who said they didn't mind playing their character; they just didn't want to be their character.
- How the director of "Whatever Happened to Mr. Garibaldi?" misunderstood the intent of a pivotal scene, causing the company to do re-shoots.
- The thing actor Tim Choate got 40 or more of every time he did Babylon 5.
- The difficulties in shooting the Minbari temple in "Moments of Transition."
- The one-take scene with Zathras and Ivanova in "Conflicts of Interest" -- find out how many takes were filmed and which one appeared in the episode.
- Christopher Franke's approach to the theme music and sound of the Centauri, Narn and Psi Corps, and why one of them built on an experience he'd had in Barcelona.
- Actor William Forward's reaction to the 35 pages of chat-room transcripts that talked about his character, Refa.
- The actor who always cried off-camera for the actor on-camera.
- Which character provoked more snail mail from fans: Lorien or Sebastian?
- Precisely how Christopher Franke would record with the Berlin Orchestra, why it was difficult to work with German musicians at first and why he paid them by the year instead of by the session.
- Michael O'Hare's belief that "Jeffrey Sinclair is...a metaphor for our country."
- Patricia Tallman's biggest regret about Babylon 5. (It's personal.)
- Why there are outdoor images from Earth in Lochley's quarters.
- Which guest actor was given an unprecedented chance to re-shoot his early scenes, and why the unique nature of the episode allowed for the opportunity.
- Why director Jesús Treviño was "bowled over" when he read Thirdspace.
- Why director Jesús Treviño "didn't even get" the implied relationship between Ivanova and Talia while directing "Divided Loyalties."
- The person who was UNDER-credited for the show being renewed each year according to producer John Copeland, who describes him as "the irritation that won't go away."
- Why production designer John Iacovelli thought that the Centauri royal palace looked like the bottle interior from I Dream of Jeannie.
- The specific behavior in fellow actors that Bill Mumy said he had no patience for.
- Was Stephen Furst kidding or not when he said he prepared to play old Vir in "Sleeping in Light" by eating strained peas and letting them drip out of his mouth? You decide.
- The aspect of playing Lennier that Bill Mumy said was the hardest thing (and it's not the makeup).
- The actor JMS called at their home to say, "Whatever you ate for breakfast, whatever you did that day, do that some more; it was incredible!"
- Jesús Treviño on the difficulties of directing Kosh's death scene.
- Why Michael O'Hare was proud of his choking scene in "Soul Hunter."
- Why Claudia Christian was "shocked" when she read the script for Thirdspace.
- Why actor Wayne Alexander had to wear two sets of contact lenses...at the same time.
- The joke played on Patricia Tallman on the set while she was giving an interview to Joe Nazzaro that provoked her to say, "They mind-fuck me all the time, so I don't know what's real anymore."
- The quality Michael O'Hare said Mira Furlan would have even if she was a "scullery maid."
- Why Michael O'Hare shook hands with JMS During the shooting of the pilot and "exchanged words of honor."
- Why the prop maker needed a Barbie doll with a tennis racket.
- The revelation that Babylon 5 did "the beginning after starting the show and the end before the show was finished."
- Why Jason Carter never totally believed the practical joke suggesting that Marcus was going to die in "Grey 17 is Missing."
- The actor who said he's a better director than actor because he's "never going to get better as an actor."
- The role given to Dilbert creator Scott Adams's girlfriend the day he guest starred on Babylon 5.
- Bill Mumy discusses the changes in Lennier's makeup over the first four seasons, and how the application time went from 3 hours 20 minutes down to 1 hour 45 minutes.
- Christopher Franke's technique for coming up with themes for the various alien cultures.
- Details on the "guy on the floor operating the gills."
- Director David J. Eagle's surprising response when congratulated for the Hugo award nomination for "Severed Dreams."
- The two reasons JMS decided to appear on-screen in the finale, after emphatically stating that he would never do so.
- The actor who didn't read the scripts unless their character had dialogue in the episode.
- The interesting difference between German and American directors, according to guest actor Reiner Schöne, who played Dukhat.
- What happened to Rick Biggs that caused him to declare that he would never ask to do something that wasn't in the script again.
- What Refa was thinking while he was listening to Londo's hologram in "And the Rock Cried Out, No Hiding Place."
- Why Patricia Tallman thought "Moments of Transition" was her best episode of the fourth season.
- Why Christopher Franke re-recorded the music for the first two Babylon 5 soundtracks, and how well they sold.
- Was "Into the Fire" intended to be a two-part episode, and would it have worked at twice the length?
- The situation where the decision "reverts back to Joe's vision."
- What Bill Mumy thought of the Minbari Civil War's end in the "Moments of Transition" temple scenes.
- Why JMS told actor William Forward that it was a compliment for Lord Refa to be killed off.
- How Michael O'Hare believed the structure of Babylon 5 was similar to Hill Street Blues.
- What Michael O'Hare meant when he said he was just trying to "get the widgets out."
- Why director Jesús Treviño looked over Tony Dow's shoulder while the latter was directing "Atonement."
- The actors who would make "little kid noises" when they shot their guns, and the director who encouraged it.
- Why director Tony Dow was disappointed in the scene where Franklin installed G'Kar's prosthetic eye...and how the use of the artificial organ in "Rising Star" added to his disappointment.
- Why Christopher Franke believed that "there are still architects who can build you a house if you give them a melody."
- Why Richard Biggs found that SF fans would say "Good work," while another genre of fans only want an autograph.
- What Jason Carter said that ended with, "You have to include that phrase if you print any of this: I don't have any messianic tendencies but my initials are 'J.C.'"
- Why JMS was NOT concerned that "Sleeping in Light" would be spoiled before it aired.
- How the matte paintings of Narn buildings were based on an abandoned factory in San Diego.
- The unusual action taken by a director that actor Tim Choate (Zathras) thanked him for.
- Michael O'Hare's thoughts on what makes an interesting scene.
- How the cast teased Tracy Scoggins when she joined the show, and how it made her feel welcome.
- Why Claudia Christian believed that being on Babylon 5, a science fiction show, wouldn't be harmful to her career.
- Patricia Tallman's complaints about season four.
- Mira Furlan's favorite moments from season four.
- How Christopher Franke provided Kosh's voice.
- What Richard Biggs thought Dr. Franklin's drug addiction did for the character.
- The "psychological game" director Tony Dow played with the actors to make them think he was paying more attention to them.
- The circumstance in which Patricia Tallman was able to "pick up pieces of Kosh."
- What JMS was referring to when he said, "To make it more attractive you show it to people and then yank it away. If you see it for too long, you start to get bored by it."
- Why producer John Copeland chose to direct the ambitious "Endgame," and how "Captain Action" influenced JMS during the writing of the episode.
- The episodes Michael O'Hare considered his favorites.
- Why director Mike Vejar was singled out as "The Director" for In the Beginning.
- Which successful movie credited Patricia Tallman as "Patrick Tallman."
- Patricia Tallman's nickname for "the bad Kosh."
- The importance of Zathras's teeth to the portrayal for actor Tim Choate. (It's more than just the look.)
- The reason producer John Copeland was only pleased with 75% of his work directing "Endgame."
- How the production of the TV movies in 1997 differed from the creation of the pilot in 1992.
- The first scene shot for "Sleeping in Light."
- The production similarities between "Sleeping in Light" and "Chrysalis."
- Why Patricia Tallman didn't watch dallies.
- The scene that literally terrified Patricia Tallman.
- Andreas's suggestion that Londo be a ventriloquist and have a little G'kar doll on his knee.
- The cute thing actor Tim Choate did at age twelve that he started doing again on the Babylon 5 set.
- Why director Tony Dow let the cameras roll and had Jason Carter continue to sing at the end of "Atonement."
- Why JMS used Jerry Doyle during Tracy Scoggins's audition.
- Why JMS wanted to direct "Sleeping in Light," and how he used a tornado metaphor to explain his reasoning.
- The director who believed his job was to "safeguard and protect the performance and the drama in the story."
- How a bottle of glue would have made life so much easier for the prop department in season one, if only someone had thought of it.
- What Michael O'Hare meant when he said, "It's an abuse of the mail and the Internet, and I certainly don't approve of it."
- Inside the head of Christopher Franke: why he wanted to do "the sound of space," the relationship between the music and the storyline, how he approached big, dramatic setpieces and why using musical counter-point to what is happening makes it much more interesting.
- How the non-musical JMS would communicate what he wanted in a Babylon 5 score to Christopher Franke, and why a scene in "The Face of the Enemy" is one they "worked on very hard together."
- What Jason Carter really thought of Dr. Franklin and Marcus's Martian adventure.
- How Bill Mumy felt when he read the "Sleeping in Light" script and discovered Lennier wasn't in it, why he immediately spoke to JMS and what Bill Mumy had in mind instead.
- The mistake made during the chase sequence in "Conflicts of Interest" that was left in because it made the scene better.
- Why JMS had his characters spend so much time searching for the First Ones, only to have them appear briefly in "Into the Fire" and then leave.
- The scene and take in "Sleeping in Light" where director JMS shouted, "Print that one and forget about the other ones."
- Introduction by Joe Nazzaro - The "Lost" O'Hare Interviews (June 2012)
- Michael O'Hare - Jeffrey Sinclair (21 Jan 1993)
- Michael O'Hare - Jeffrey Sinclair (30 June & 12 July 1994)
- Michael O'Hare - Jeffrey Sinclair (7 July 1995)
- Patricia Tallman - Lyta Alexander (22 & 30 Apr 1997)
- Richard Biggs - Stephen Franklin (30 Apr 1997)
- Bear Burge - Prop Maker (30 Apr 1997)
- Wayne Alexander - Lorien, et al (30 Apr 1997)
- Jason Carter - Marcus Cole (30 Apr 1997)
- Peter Jurasik - Londo Mollari (30 Apr 1997)
- Claudia Christian - Susan Ivanova (1 May 1997)
- Jerry Doyle - Michael Garibaldi (1 May 1997)
- Ann Bruice Aling - Costume Designer (2 May 1997)
- John C.Flinn III - Director of Photography (2 May 1997)
- Christopher Franke - Composer (3 May 1997)
- John Vulich - Makeup Effects Creator (12 May 1997)
- Jesús Salvador Treviño - Director (13 May 1997)
- Jeffrey Willerth - Producer's Associate (13 May 1997)
- John Copeland - Producer (20 & 28 May 1997)
- Wayne Barlowe - Concept Artist (5 June 1997)
- J.Michael Straczynski - Creator/Executive Producer (28 May 1997)
- Mira Furlan - Delenn (28 May 1997)
- Jeff Conaway - Zack Allan (28 May 1997)
- Stephen Furst - Vir Cotto (28 May 1997)
- Claudia Christian - Susan Ivanova (29 May 1997) -- 2 weeks after leaving B5
- Shari Belafonte - Elizabeth Trent (29 May 1997)
- John Iacovelli - Production Designer (29 May & 4 June 1997)
- Clyde Kusatsu - Bill Morishi (29 May 1997)
- Douglas Netter - Executive Producer (29 May 1997)
- Jesús Salvador Treviño - Director (29 May 1997)
- "The Exercise of Vital Powers"
- David J. Eagle - Director (3 June 1997)
- Tony Dow - Director (5 June 1997)
- Claudia Christian - Susan Ivanova (29 July 1997)
- Bill Mumy - Lennier (5 Aug 1997)
- Reiner Schöne - Dukhat (6 Aug 1997)
- Tim Choate - Zathras (23 Aug 1997)
- Tracy Scoggins - Elizabeth Lochley (25 Aug 1997)
- David J. Eagle - Director (29 Aug 1997)
- Scott Adams - Mr.Adams (29 Aug 1997)
- Peter Jurasik - Londo Mollari (29 Aug 1997)
- John Lafia - Director (29 Aug 1997)
- Wayne Alexander - Lorien, et al (30 Aug 1997)
- Raye Birk - William (8 Sept 1997)
- William Forward - Antono Refa (2 Sept 1997)
- Damian London - Virini (3 Sept 1997)
- Doug Lefler - Director (12 Nov 1997)
- Bridget Flanery - Zoe (17 Nov 1997)
- David J. Eagle - Director (17 Nov 1997)
- Marie Marshall - Elizabeth "Dodger" Durman (17 Nov 1997)
- Fabiana Udenio - Adira Tyree (17 Nov 1997)
- Tracy Scoggins - Elizabeth Lochley (17 Nov 1997)
- Teller - Zooty (17 Nov 1997)
- Penn Gillette - Rebo (17 Nov 1997)
Index
Abbott and Costello – pages 184, 220, 365
Abraham, F. Murray – page 106
Academy Award – page 46
Achilles – page 40
Adams, Scott – pages 236, 275-277
African Queen – page 25
AgamemCon III – pages 80, 84
Agamemnon – page 156
Ahab – page 17
Alexander, Lyta – pages 12, 49, 52-64, 70, 151, 186, 218, 226, 236, 289, 332
Alexander, Wayne – pages 33, 80-83, 95, 120, 293-298, 300, 336
Alexandra, Princess – page 90
Alicia (Scoggins' associate) – page 351
Aling, Ann Bruice – pages 113-117
Allan, Zack – pages 53-54, 114, 172, 183-187, 222, 247, 273, 330, 333, 349
Allardice-Ray, Julie – page 199
Amadeus – page 106
Americana – page 28
"And Now for a Word" – page 1
"And the Rock Cried Out, No Hiding Place" – pages 298, 309, 312
"And the Sky Full of Stars" – pages 19-20, 28-29, 48, 131
Anderson, Gillian – page 240
Anla-shok – page 258
Apollo, EAS – page 156
Argentina – page 301
Arthur, King – page 253
"Atonement" – pages 76, 79, 86, 145, 157, 161, 180, 229, 233-234, 237, 245, 247, 260-261
Auberjonois, Rene – page 266
Avery, Tex – page 214
Babcom – page 332
"Babylon Squared" – pages 35, 48, 135, 266
Babylonian Productions – pages 67, 75, 85, 91, 95, 103, 113, 119, 160, 169, 179, 183, 189, 193, 195, 199, 205, 207, 209, 213, 217, 239, 272, 277, 321, 327, 329, 339, 343, 347, 357, 363
Barbie doll – page 75
Barcelona – pages 102, 131
Barlowe, Wayne – pages 146-147, 158, 163-167
Barnes – page 248
Barnes, Jhane – page 114
Bataan Death March – page 171
Baumann, Peter – page 122
Baytok, Yasemin – page 279
Beaudine, Skip – page 330
Beethoven, Ludwig van – page 129
Beimler, Hans – page 197
Belafonte, Shari – pages 193, 195-197, 210
Belgium – page 90
"Believers" – pages 29-31
Beltran, Robert – page 148
Belushi, Jim – page 96
Ben Casey – page 14
Ben Zayn, Ari – page 34
Bergman, Ingmar – page 291
Berlin, Germany – pages 121, 125-126, 367
Berlin Symphony Orchestra – page 125
Berman, Rick – page 258
Bermuda – page 303
Berrenger's – page 99
Bester, Alfred – pages 34, 54, 62, 107-109, 157, 186, 235-236, 332, 354
"Between the Darkness and the Light" – pages 62, 69, 109, 158, 224, 226, 228, 289
Beverly Hills – page 163
Beverly Hills Silks and Woolens – page 116
Bey, Turhan – pages 114, 312
Biggs, Richard – pages 19, 25, 30, 39, 61, 66-73, 85-86, 96, 145, 189, 217, 283, 349
Bikel, Theodore – page 258
Birk, Raye – pages 157, 290, 294, 299-307
Blackpool – pages 215, 240-241, 282, 284, 293
Blair, Bobby – page 223
Bochco, Steven – page 96
Bogart, Humphrey – page 25
Bonanza – pages 14, 21
Bordeaux, France – page 271
"Born to the Purple" – pages 26, 342-343
Bowen, Elizabeth – page 117
Boxleitner, Bruce – pages 43, 46, 98, 108, 119, 156, 165, 179-180, 190, 194-196, 205, 213, 216-217, 240, 249, 271, 276, 295, 299, 302
Brakiri – pages 322, 325
Brian (soundmixer) – page 124
Broadway – pages 187, 267, 360, 368
Brook, Peter – pages 9, 15
Brooklyn – page 54
Brooks, Albert – page 363
Brooks, Louise – page 359
Brown, Julie Caitlin – page 198
Bruton, Macaulay – page 25
Burbank, California – pages 80, 84
Burch, Scott – pages 192, 267
Burge, Bear – pages 74-78
Burns, George – pages 364-365
Butler, Robert – page 26
"By Any Means Necessary" – pages 20, 34, 38
Calgary – pages 271, 356
California – pages 5, 33, 44
Caligula – page 316
Callenn – page 246
Campbell, Bruce – page 51
Cardassian – pages 206, 272
Caroline in the City – page 299
Cartagia – pages 114-115, 177, 203-204, 287, 316
Carter, Chris – page 306
Carter, Jason – pages 84-90, 145, 228
Casablanca – page 31
Cassandra – page 271
Cassidy, Butch – page 46
CBS – pages 205, 271, 305
Celestine Prophesy, The – page 128
Centauri – pages 27, 77, 115, 124, 128, 130, 201-204, 206, 281, 311-312, 315, 317 336, 343
Centauri Prime – pages 159, 184, 203, 318, 331
"Ceremonies of Light and Dark" – pages 128, 311
CGI – pages 33, 88, 141, 149, 193, 209, 211, 224, 227-228, 234-235, 329-330
Chamberlain, Ardwight – page 124
Champion, Fern – pages 67, 269-270
Chaplin, Charlie – page 359
Chase, Jacob – page 279
Chekhov, Anton – page 11
Chekov, Pavel – page 352
Chicago Comicon – page 45
Chicago Hope – pages 137, 145
Chicago, Illinois – page 368
Chicano: History of the Mexican-American Civil Rights Movement – page 137
China – page 368
Choate, Tim – pages 220, 263-267
Chong, Ronnie – pages 205, 267
Chopin, Frédéric – page 98
Christian, Claudia – pages 19, 32, 35, 95-102, 113, 139, 190, 192-197, 220-221, 238-242, 264-265, 270-271, 276, 283-284, 286, 340
Christie, Agatha – page 153
"Chrysalis" – pages 36, 48, 153
Chudomo – page 254
CIA – page 301
Cirque du Soleil – pages 80, 248
Clark, Morgan – page 175
Colbys, The – page 353
Cole, Marcus – pages 59, 63, 67, 78-79, 85, 87-90, 96, 100, 145, 156-157, 211, 227, 233
"Comes the Inquisitor" – pages 82, 298
"Coming of Shadows" – pages 43, 46, 124, 200, 203, 312, 337
Compton, Richard – pages 5, 7, 17, 40, 306
Conaway, Jeff – pages 53, 183-187, 189, 194, 222, 300
"Confessions and Lamentations" – page 43
"Conflicts of Interest" – pages 157, 185, 219, 224, 226, 263
Copeland, John – pages 1-2, 113, 120, 138, 147, 153-163, 166, 171, 201, 207, 210, 219, 222, 242, 250, 258, 260, 263, 287, 295, 299-300, 303, 321, 330-331
Copeland, Stewart – page 122
"Corps Is Mother, the Corps Is Father" – page 172
Corwin, David – pages 320, 324, 349
Cosby Mysteries, The – page 47
Costa-Gavras – page 314
Cotto, Vir – pages 72, 113-114, 138, 141-142, 168, 172, 176-177, 182, 184, 188-190, 193, 202, 226, 273, 281, 284, 310, 312, 316
Cowan, Jim – pages 146, 163
Cox, Joshua – pages 324, 349
Crasher – page 357
Crockett, James – page 364
Crusade – page 264
Cthulhu – page 164
Culver Studios – page 204
Daffy Duck – pages 76, 222
Dallas, Texas – pages 188, 350
Dallas: War of the Ewings – page 350
David, Peter – pages 44, 281
Davidson, Ben – pages 6, 41
Davis, Jason – pages 1, 80, 84, 188
"Day of the Dead" – pages 320-322, 326-327, 329, 331, 338-340, 343, 347, 351, 354-355, 357, 362-363
De Niro, Robert – page 366
"Deathwalker" – pages 29-30
"Deconstruction of Falling Stars" – pages 172, 245, 255, 263, 269, 280, 284, 321, 327, 329, 332, 339, 343, 347, 357, 363
DeFilipps, Kristin – page 346
DeFilipps, Kurt – pages 65, 178, 267-268, 342, 346
DeGeneres, Ellen – page 139
Delenn – pages 9-11, 22, 32, 38, 45-46, 55, 77-78, 93, 113-116, 119, 161, 168, 170, 172-173, 179-182, 199, 201-203, 214, 226, 235, 246, 253-254, 256, 260, 268, 273, 280-281, 333-334, 349
Denmark – page 101
denn-bok – pages 78-79, 87-88
Deradi, Luc – page 279
Deradi, Lyssa – page 279
Deutchland – page 176
Devo – page 122
Diana, Princess – page 271
Dilbert – page 275
Disney – pages 248, 306
Disney Channel – page 261
DiTillio, Lawrence G. – page 20
"Divided Loyalties" – pages 138-139, 159
Dobson, Kevin James – page 176
Dow, Tony – pages 56, 64, 145, 180, 228-237, 245, 247-248, 251, 257, 293
DownBelow – page 125
Downes, Robin Atkin – pages 330, 348
Doyle, Jerry – pages 7, 31, 57, 61, 92, 99, 103-112, 185, 214, 219, 270, 283, 288, 339-340, 348, 352
Dr. Kildare – page 14
Draal – page 258
Drakh – pages 76, 116, 248-249, 336
Drazi – pages 79, 81, 293-295, 300, 302, 332
Drennan, Kathryn – page 20
Duchovny, David – pages 240, 305
DuGuerre, Phil – page 205
Dukhat – pages 229, 255, 258
Durman, Elizabeth – pages 325, 338-341
"Dust to Dust" – pages 273, 282
Eagle, David J. – pages 151, 219-228, 273-274, 329-337
Earhart's – page 204
Earth-Minbari War – pages 142, 155, 157-158, 161, 280
Earthdome – page 202
Eastwood, Clint – page 33
Edgars, William – pages 108, 289
Edgars-Garibaldi, Lise – pages 110, 221, 223
Eilerson, Pamela – page 330
Ellison, Harlan – pages 146, 163, 171, 214, 281
Emmy Award – page 303
"Endgame" – pages 59, 61, 155-156, 158, 208, 228
England – pages 57, 83, 87, 101, 175, 368
Enterprise, USS – page 206
Entil'zha – page 168
"Epiphanies" – pages 157, 178, 315
Epsilon 3 – page 35
Esoqq – pages 256-257
"Exercise of Vital Powers" – pages 157, 163, 200, 213, 215, 217, 219, 229, 288-289
"Exogenesis" – page 238
"Eyes" – pages 17, 34, 248
"Face of the Enemy" – pages 96, 108, 129, 157, 296
Falk, Peter – page 303
"Fall of Night, The" – page 43
Fantasticks, The – page 360
FBI – page 108
Ferry, Kim M. – page 65
Feynman, Richard – page 363
Fields, W.C. – page 31
Flanery, Bridget – pages 322-323, 326-328
Flinn, John C., III – pages 20-22, 40, 56-57, 118-120, 159, 174, 205, 223, 249, 251, 259, 279, 287, 298-299
Flintstones – page 52
Florida – page 51
Ford, Henry – page 162
Forell – page 249
Forrest Gump – page 52
Forward, William – pages 308-314
Foundation Imaging – page 101
Franke, Christopher – pages 121-134
Franklin, Stephen – pages 61-63, 67-71, 85, 87, 109, 113-114, 133, 145, 157, 168-169, 217-218, 224, 226, 232-233, 281
Freud, Sigmund – page 87
Froese, Edgar – page 122
Furillo, Frank – page 8
Furlan, Mira – pages 3, 9-10, 13, 22-23, 25, 33, 39-40, 44, 89, 116, 119-120, 135, 161, 173-174, 178-182, 216, 228-230, 245-247, 249, 252, 256, 259, 261, 284, 354
Furst, Stephen – pages 66, 72, 108, 114, 184, 188-191, 280, 284, 311, 316
G'Dan – pages 81, 293, 298
G'Kar – pages 9-11, 18, 32, 38, 40, 45, 59, 77, 91-93, 100, 113, 153, 169, 177, 182, 198, 200-203, 213, 216, 218, 226, 232-233, 250, 273, 281-284, 312, 324, 331, 334-336, 349
Gaiman, Neil – pages 324, 328, 358
Gajic, Goran – pages 180, 284
Garibaldi, Mary – page 114
Garibaldi, Michael – pages 23-24, 29, 31-32, 35, 39-40, 45-47, 62, 69, 71, 75-76, 82, 96, 103-110, 113-115, 129, 139, 157, 168-169, 177, 185-187, 216, 221-224, 226-227, 235-236, 252, 270, 273, 281, 289-290, 296, 325, 332-333, 339, 347-348, 350-352, 354
Gathering, The – page 5
Gaudi – page 131
Gentile, Denise – page 110
"Geometry of Shadows" – page 310
Giger, H. R. – page 146
Gilbert and Sullivan – page 86
Gomez, Lisa – page 244
Gordon, Byron – pages 330-332, 346, 348
Gracen, Elizabeth – page 271
"Grail" – pages 26, 33-34
Gray, Harriman – page 34
Greek, Janet – pages 28, 270, 283, 312, 337, 350
Green, Bruce Seth – page 198
Gregorian chant – page 129
"Gropos" – pages 339-340
Guinevere – page 253
Gulf War – page 10
Gunsmoke – page 267
"Gut Reactions" – page 281
Guttenberg Bible – page 33
Hackman, Gene – page 364
Haimer, Robert – page 248
Hale House – page 44
Halloween – pages 6, 74, 178
Hamilton, Linda – page 347
Hanks, Tom – page 109
Hannibal, Jack – page 330
Harlem, New York – page 44
Harrison, Gregory – page 271
Hart, Anita – page 197
Hawaii – page 259
HBO – pages 259, 360
Heinlein, Robert – page 196
Hemingway, Ernest – page 14
Hepburn, Katharine – page 25
Heston, Charlton – page 353
Highlander: The Series – page 271
Hitler, Adolf – page 138
HMS Pinafore – page 87
Hoffman, Dark – pages 75, 115
Hogan's Heroes – page 267
Holland – page 90
Holly, Kim – pages 116-117, 244, 293-294
Hollywood – pages 50, 52, 125-126, 137, 140, 195, 267, 271, 276, 286
Hooper, Tobe – page 368
"Hour of the Wolf" – pages 55, 296
Howard, Rance – page 144
Hudson, Rock – page 291
Hughes, Howard – page 106
Hugo Award – pages 154, 219, 337
Huse, Linda – page 278
I, Claudius – page 316
I Dream of Jeannie – page 204
Iacovelli, John – pages 198-204
identicard – pages 85, 185
"Illusion of Truth, The" – pages 79, 157, 191
In the Beginning – pages 17, 53, 72, 93, 113-114, 147, 155, 158-159, 161-162, 169, 180, 194, 200, 202-204, 239, 254, 256-260, 279, 303
"In the Kingdom of the Blind" – pages 278, 331, 334, 336
"Infection" – pages 23, 47
"Interludes and Examinations" – pages 138, 141-142, 144, 151, 343
Interplanetary Expeditions – page 195
"Intersections in Real Time" – pages 81, 96, 157, 175, 239, 245, 255, 263, 269, 273, 275, 279, 287-291, 293-295, 299, 303, 307, 309, 315
"Into the Fire" – pages 81-82, 174-177, 288, 297
Iraq – page 10
ISDN – page 126
ISN – pages 7, 10-11, 23, 33, 36-37, 39, 44, 56, 61, 71-72, 77, 85, 89, 99-100, 110, 132, 134, 153, 177, 186, 204, 210, 223-224, 226, 231, 233, 236, 248, 252, 254, 273, 281, 284, 303, 316-318, 349, 351
isolab – page 218
Ivanov, Ganya – page 115
Ivanova, Susan – pages 21, 32, 35, 55, 63, 78, 85, 88, 95-97, 99, 101, 110, 113-114, 139, 168-169, 172, 184, 193-194, 210-211, 219-220, 226-228, 239, 263, 270, 288, 297
Jack Docherty Show, The – page 240
Jack the Ripper – page 77
Jake and the Fatman – page 259
Janeway, Kathryn (Star Trek: Voyager) – page 340
Jano – pages 334-335
Japan – page 114
JFK – page 236
Jillette, Penn (SEE ALSO Penn & Teller) – pages 360, 363-369
Johnson, George – pages 157, 171
Johnston, Jim – page 24
Jones, Tom – page 368
Jordan, Michael – page 101
jumpsuits – page 115
Jurasik, Peter – pages 26, 72, 91-94, 142, 177, 190, 212-213, 215-217, 239, 250, 273, 278-286, 300, 311, 316-317, 335, 343-344
Jurassic Park – pages 50, 52
Jurassic Park II: The Lost World – page 369
Kaplan, Jonathan Charles – page 31
Katsulas, Andreas – pages 9-13, 40, 91-93, 118, 141, 179, 198, 200, 212-218, 232, 250, 273, 278, 280, 282, 296, 335, 349
Kaufman, Andy – page 368
KCOP – page 255
Kelly, Gene – page 318
King Lear – pages 19, 340
Kingsley, Ben – page 266
Knight Two – page 28
Knightriders – page 50
"Knives" – page 144
Koenig, Walter – pages 28, 34, 39, 54, 58, 64, 235, 252, 331, 352-353
Kolbe, Winrich – page 258
Kosh – pages 53, 55-56, 64, 124-125, 139, 142-143, 151, 176, 190, 200, 234
Kraftwerk – page 121
Kremer – page 31
Kusatsu, Clyde – pages 195, 205-206, 210
Kyle, Benjamin – page 30
Lafia, John – pages 56, 287-292, 294, 299, 302-303
Lancelot – page 253
Landau, Les – page 271
Larson, Glen – page 205
Las Vegas – pages 201, 358, 367-368
"Late Delivery from Avalon" – page 95
Laurel and Hardy – page 363
"Learning Curve" – pages 331, 334, 347, 351
Lee, Stephen – page 31
Lefcourt – page 156
Lefler, Doug – pages 320-325, 328
Legend – page 122
Legends of the Fall – page 271
Lennier – pages 59, 156, 226, 245-248, 250, 252-254, 273, 324-325
Lenonn – page 258
Letterman, David – page 368
Lewis, Herschell Gordon – page 368
Liberace – page 201
"Lines of Communication" – pages 59, 67, 75, 81, 85, 91, 95, 103, 113, 116, 119, 121, 248
Lips Together, Teeth Apart – page 14
Lochley, Elizabeth – pages 269-270, 273, 322, 327-328, 333-334, 347-352, 354-356
Lois and Clark – page 271
London Academy of Music and Dramatic Art (LAMDA) – page 90
London, Damian – pages 315-319
Lonesome Dove – pages 271, 356
Long Kiss Goodnight, The – page 50
"Long Night, The" – pages 157, 273, 280-281, 283, 287-288, 297, 299, 329, 331, 334, 336
Lorien – pages 55, 81-83, 95, 115, 120, 169, 288, 293, 295-298
Lorrimar – page 99
Los Angeles – pages 46, 251, 255, 304
Los Angeles Times – page 147
Love, Victor – page 331
Luby's Cafeteria – page 354
Luchenko, Susanna – page 236
Maday, Gregg – pages 31, 208
Magnum, P.I. – page 205
Mann, Delbert – page 318
Mann, Michael – page 129
Manners, Kim – page 305
Manning, Ricky – page 197
Mao – page 204
Marceau, Marcel – page 359
Mars Resistance – pages 62, 289
Marshall, Marie – pages 338-341
Martin, Jean-Luc – page 248
Marvin the Martian – page 76
Marx Brothers – page 365
Marx, Groucho – page 363
Marx, Harpo – page 359
Matthews, Dakin – pages 157, 290, 294
May, Bobby – page 249
McCarthy, Bart – page 180
McCarthy, Charlie – page 282
McCloskey, Leigh – page 330
McIntyre, David – page 95
McLaine, Shirley – page 355
McLane, Haley – page 342
McNally, Terrence – page 14
medlab – pages 67, 89, 216, 273, 282
Mer, Erica – page 279
Mexico – page 137
Miami Vice – pages 126, 358, 364
"Midnight on the Firing Line" – page 20
Minbar – pages 159, 168, 181, 199, 258
Minbari – pages 3, 23, 34, 38, 43, 130-131, 142, 155, 158, 161, 180, 201, 234-235, 247-253, 258, 260-261, 275, 277, 280
Mind Fields – page 146
"Mind War" – page 28
Mitchell – page 156
Mollari, Londo – pages 18, 24, 26, 32, 37-38, 45, 59, 72, 79, 91-94, 100, 113-116, 138, 141-142, 169, 177, 190, 200, 202-204, 213, 215-216, 218, 226, 233, 250, 273, 279-284, 299, 309-313, 315, 324-325, 329, 331, 334-336, 343, 349
"Moments of Transition" – pages 54, 60, 64, 153, 175, 180, 186, 234, 236-237, 251, 275
Monaghan, Marjorie – pages 62, 68-69, 145
Montalban, Ricardo – pages 138, 148
Monty Python – pages 145, 368
Moonlight Sonata – page 98
Moonlighting – page 26
Morden – pages 143, 177, 324-325
Morella – page 306
Morishi, Bill – pages 205, 210
Morpheus Publishing – pages 146, 163
Mortal Kombat: Annihilation – pages 255, 259
Moses – page 353
Mothersbaugh, Mark – page 122
"Movements of Fire and Shadow" – page 172
Mulder, Fox – page 304
Mulgrew, Kate – page 340
Mumy, Bill – pages 65, 88, 190, 214, 216, 242, 244-254, 281
Munster, Eddie – page 107
n'grath – page 200
Nakamura – page 205
Narn – pages 124, 130-131, 198, 201-202, 215-216, 218, 298, 312
NASA – page 182
Nazi – pages 125, 132, 302
Nazzaro, Joe – pages 1, 5, 39, 213, 253
NBC – page 99
Neame, Christopher – page 28
Neptune – page 140
Neroon – pages 181, 235, 251
Netter, Douglas – pages 5, 154, 171, 207-208, 321
New York – pages 5-6, 17, 37-38, 41, 43-44, 46-47, 50, 52, 185, 341, 368
New York Undercover – pages 137, 144-145
Newsweek – page 208
Nickson, Julia – pages 19, 25, 38
Nimoy, Adam – page 57
"No Compromises" – pages 270, 273, 275, 279-280, 282-283, 287, 293, 309, 315, 334, 347-350
"No Surrender, No Retreat" – pages 92, 157, 160, 169, 179, 183, 189, 193, 195, 199, 205, 207, 209, 226, 234, 250
Nobel Prize – pages 205-206
Noonan, Christie – page 64
Norton, Jim – pages 33-34, 40
Number One – pages 62, 67-69, 87, 145, 170
NYPD Blue – pages 137, 145
O.K. Corral – page 13
O'Connor, Donald – page 324
O'Hare, Michael – pages 1, 4-48, 135
O'Neil, Tricia – page 31
"Objects at Rest" – page 268
Odo – page 266
Odysseus – page 6
Ogilvy, Ian – page 334
Olivier, Laurence – pages 8, 98
Ombuds – page 33
One Flew Over the Cuckoo's Nest – page 191
Optic Nerve – pages 135, 256
Oswald, Lee Harvey – page 236
Pacino, Al – page 366
Paladini, Mark – pages 269, 327
Pandora's Box – page 359
Paramount – page 28
Paris, France – page 368
"Parliament of Dreams, The" – pages 24, 27, 36, 38, 48, 198, 245
Pasadena, California – page 216
"Passing Through Gethsemane" – page 57
PBS – page 137
Pearlman, Barbara Wilder – page 107
Penn & Teller – pages 322, 358, 360, 363-369
Penn, Arthur – page 364
Pentagon – page 202
Pharisees – page 86
Philadelphia – page 109
Phoenix, Arizona – page 368
"Phoenix Rising" – pages 329-331
Picador Book of Erotic Verse, The – page 87
Picard, Jean-Luc – page 257
Pittsburgh, Pennsylvania – page 50
Planet of the Apes – page 353
Plexiglas – page 75
"Point of No Return" – page 306
Polix – page 264
Pozniak, Beata – page 236
PPG – pages 185, 221-222, 227
Presley, Elvis – page 107
Profiler – page 337
Psi Corps – pages 34, 60, 125, 132, 138, 252
PTEN – pages 208, 255
Purdham, David – page 156
"Quality of Mercy, The" – pages 35, 315
Quark's Bar – page 76
"Racing Mars" – pages 49, 67, 145, 211
Raiders of the Lost Ark – page 46
Rangers – pages 43, 45-46, 331
Rascal – page 248
Rawhide – page 14
Rebo – pages 322, 324, 358, 362-363, 366
Refa, Antono – pages 309-313
religious caste – page 247
REM – page 351
Renoir, Jean – page 7
Return to Treasure Island – page 261
"Reunion" (Tales from the Darkside) – page 50
"Rising Star" – pages 59, 89, 91, 96, 110, 158, 172, 175, 182, 228, 232, 236, 253
Rite of Passage – page 148
Robertson, Dick – page 208
Robinson, William – page 252
RoboCop – page 76
Roddenberry, Majel Barrett – page 306
Roller Coaster Rabbit – page 317
Rome, Italy – page 102
Romeo and Juliet – pages 21, 90
Romero, George – pages 50, 363
Romper Room – page 24
Romulan – page 206
Roseanne – page 233
Ross, Jonathan – page 368
Rossall, Kerry – pages 61, 225
Rotten, Johnny – page 367
"Rules of the Game" – page 264
"Rumors, Bargains and Lies" – pages 135, 137, 151, 181, 250
Russia – page 368
Sadducees – page 86
SAG – page 285
Sakai, Catherine – page 25
Salieri – page 106
Sammy, the Way-Out Seal – page 248
San Diego – page 202
San Fernando Valley – page 257
San Francisco – pages 300, 303
Santa Clarita – page 160
Sarajevo – page 181
Savini, Tom – page 50
Scheider, Roy – page 141
Schöne, Reiner – pages 229, 255-262
Scoggins, Tracy – pages 268-272, 283, 286, 328, 333-334, 346-356
Scorpions, The – page 121
Scott, Ridley – pages 122, 129
seaQuest DSV – pages 138, 140-141
Seaton, George – page 318
Sebastian – pages 81-83, 293, 298
"Secrets of the Soul" – page 332
Sector 14 – page 98
Sekka, Johnny – page 8
"Severed Dreams" – pages 144, 219, 228
SFX awards – page 240
Shadows – pages 45-47, 57, 61, 130, 132, 143, 157, 175-177
Shakespeare, William – pages 11-12, 261, 313, 360
Shakiri – pages 180, 235
Shangri-La – page 36
sheetPlex – page 75
Sheppard, W. Morgan – pages 21, 34
Sheridan, Anna – page 115
Sheridan, John – pages 47, 55, 60, 62, 71, 75, 113-115, 119, 129, 131, 142-143, 150, 156-157, 168-170, 172-173, 175, 179, 182, 184, 199, 209-210, 217-218, 224, 226-228, 252, 254, 268, 273, 280-282, 296, 324, 333-334, 347, 349, 352
"Ship of Tears" – pages 93, 179
Shirley – page 355
Shokalla – page 79
Shon – page 31
"Sic Transit Vir" – pages 141-142, 316
Siegfried and Roy – page 363
Silliphant, Stirling – page 46
Simpsons, The – page 357
Sinclair, Jeffrey – pages 5-6, 8, 10, 17, 21-27, 29-32, 34-38, 40-41, 43, 45-48, 79
Sirens – page 6
"Sleeping in Light" – pages 1-2, 59, 62, 67, 70-72, 75-76, 81-82, 85, 91, 95, 99-100, 103, 105, 108, 110-111, 113, 115-116, 119-121, 135, 151, 153-154, 169-173, 179, 182-183, 187, 189, 194, 199-200, 202, 207, 228, 253
Smithsonian – pages 33, 36
Smothers Brothers – page 363
Snide and Prejudice – page 96
"Soul Hunter" – pages 20-22
"Soul Mates" – pages 182, 204
South Carolina – page 1
Spain – page 368
Spencer, Alan – page 271
Spielberg, Steven – page 126
Springsteen, Bruce – page 184
St. Matthew – page 86
Star Trek – pages 18-19, 26, 28, 32-33, 37-38, 52, 57-58, 70, 75-76, 81, 123, 138, 144, 147-148, 205-206, 255-258, 261, 271, 304-305, 327, 339-340, 352
Star Trek: Deep Space Nine – pages 13-14, 32, 76, 144, 197, 266, 272
Star Trek: Generations – page 28
Star Trek: The Next Generation – pages 18-19, 32, 37, 147-148, 205, 255-257, 305, 339
Star Trek: Voyager – pages 123, 144, 147-148, 327, 337, 340
"Stardust" (Space: Above and Beyond) – page 141
Starfury – pages 95, 184, 193, 209
Starsky and Hutch – page 358
Steadicam – pages 151, 220, 225
Stellar Occasion 5 – page 188
Steppenwolf – page 368
Stevens, G.W. – page 249
Stewart, Patrick – pages 37, 122, 257, 306, 339-341
Straczynski, J. Michael – pages 2, 4-6, 20-21, 23-24, 29, 32-33, 37-39, 45, 51-52, 60, 62, 67, 75, 81, 87, 89, 91, 96, 103, 115, 119, 123, 129, 138, 152-153, 161, 164, 169-177, 181-183, 190, 197, 199, 201, 205, 207, 210, 213-215, 217-219, 231, 239, 248-249, 255, 258, 263, 270, 276, 281-282, 284-285, 287, 302, 309, 322, 330, 347-348, 350
Stravinsky, Igor – page 368
Stuyvesant High School – page 6
Sullivan (Gilbert and) – page 86
"Summoning, The" – page 96
Sun Valley, California – pages 1, 293
"Survivors" – pages 31-32, 332
Sykes, Carolyn – pages 17-18
Taboo – page 102
Tales from the Darkside – pages 50-51
Tallman, Patricia – pages 8, 49-65, 67, 69, 115, 140, 151, 178, 216, 218, 225, 236, 277, 339
Tangerine Dream – pages 121-122
Tarantino, Quentin – page 123
Taylor, Jeri – page 144
telepath – pages 54, 60, 62, 68, 97, 157, 171, 186-187, 253, 321, 330-332, 348
Teller (SEE ALSO Penn & Teller) – pages 322, 357-361, 363-366
Tennyson, Alfred – page 36
Terminator 2: Judgement Day – page 347
Texas – pages 188, 271
Thailand – page 259
Thanksgiving – page 44
"There All the Honor Lies" – page 79
Thirdspace – pages 53, 56, 72, 75, 95, 115, 137, 146, 148, 153, 158, 160-163, 166-167, 169, 179, 183-184, 189-190, 193, 195, 197, 199, 205-210, 219, 229, 254
Thomas – page 330
Thompson, Andrea – pages 19, 52-53, 101-102, 139
Thornton, Billy Bob – page 191
Thornton, Ron – page 33
Three Stooges – pages 365, 368
"TKO" – pages 17, 20-21, 32
TNT – pages 53, 100-101, 155, 158, 160-162, 172, 194, 204, 208, 218, 240-242, 255, 285
Tokar, Norman – page 248
Tomita, Tamlyn – page 7
Toronto – pages 102, 197
Tracy, Spencer – page 98
"Tragedy of Telepaths" – pages 321, 348
Trent, Elizabeth – pages 193, 195, 205, 210
Treviño, Jesús Salvador – pages 56, 137-149, 158, 163, 177, 196, 209-211
Tubbs, Ricardo – page 364
Tular – page 24
Turenne, Louis – page 258
Twilight Zone – pages 28, 305
Tyree, Adira – pages 324, 342-343
Udenio, Fabiana – pages 342-345
"Ulysses" – page 36
Updike, John – page 14
USA – pages 197, 291
Valen – pages 77, 79, 325
Van Damme, Jean-Claude – page 99
Vancouver – page 102
Varela, Linda – page 117
Vejar, Michael – pages 56, 147, 159, 177, 226, 250, 257, 279, 283, 296
Vejared – page 267
Velvet Underground – page 363
Ventura Boulevard – page 257
Verhoeven, Paul – page 76
"Very Long Night of Londo Mollari, The" – pages 273, 280-281, 283, 299, 329, 331, 334, 336
Vickery, John – pages 181, 251
Vietnam – pages 46-47
"View from the Gallery, A" – pages 281, 350
Virini – page 315
"Voice in the Wilderness, A" – pages 35, 258
Voice of the Resistance – pages 98, 102
Vorlon – pages 29, 52, 54-56, 60, 64, 86, 124, 143, 151-52, 165
Vox Mundi – page 128
Voyage to the Bottom of the Sea – page 140
Vulich, John – pages 135-136
"Walkabout" – page 133
Walters, Mark – pages 199-200
"War of the Coprophages" (The X-Files) – page 304
"War Without End, The" – pages 79, 159-160, 200, 203, 263, 267, 279
Warner Bros – pages 14, 31, 57, 154, 171, 208, 222, 240-241, 254
Warner, David – pages 33-34, 40
warrior caste – page 3
Washington, Denzel – page 109
Washington Week in Review – page 357
Wayne, John – page 33
Welles, Orson – pages 180, 291
Wellington (Ombuds) – page 33
Wells, Sheelagh – pages 1-2, 253
Wharton, David – page 80
"Whatever Happened to Mr. Garibaldi?" – pages 82, 96, 157, 177, 296
Wheaton, Wil – page 257
White Star – pages 157, 222, 224, 227, 249
Who Framed Roger Rabbit – page 317
Willerth, Jeffrey – pages 55, 64, 142, 150-152, 190, 267
William – pages 157, 290, 294, 299, 301, 303
Williams, John – page 123
Willis, Bruce – page 101
Wilshire Court – page 291
Winters, Talia – pages 32, 38, 53, 101, 138-139
Wise, Douglas E. – page 63
Wise, Robert – page 318
Wyoming – page 39
X-Files, The – page 304
Yanni – page 122
York, Michael – page 95
Young, Neil – page 366
Yugoslavia – page 132
Z'ha'dum – page 82
Zanetti, Cinzia – pages 107, 136, 178
Zathras – pages 219-220, 226, 263-267
Zen Garden – page 9
Zima – page 39
Zimbalist, Efrem, Jr. – pages 108, 224, 289
Zócalo – pages 71, 78, 190, 203, 311
Zoe – pages 322, 326-327, 354
Zooty – pages 322, 324, 357-360, 362, 366